Luc Ferrari

What we have here is two substantial pieces: Programme commun pour clavecin et bande magnetique/1972 performed by Elisabeth Chojnacka, and another previously unreleased piece that he held dear: Les emois d'Aphrodite/1986-1998, performed by San Francisco's MC Band under his direction. Programme commun Although cheerful, this piece of music asks a serious question: can one separate one's political and artistic concerns, either directly, as a film can allow, or indirectly, as in this music?