Admas

Sons of Ethiopia is a fascinating piece of the Ethiopian musical puzzle. Emerging from the community of Ethiopian exiles who had been scattered to the winds by the brutality of the Derg – the military dictatorship that had deposed Haile Selassie – the album was the sound of a new generation. The members of Admas were not musicians from the so-called ‘golden age’: they were children of the terror and propaganda of the Derg time – an era of state-sponsored neighbourhood bands and a propaganda-tinged traditional music scene, where the weekends were sound-tracked by the remaining hotel groups of a bygone Imperial world. An instrumental album, rich with global influences, Sons of Ethiopia is one of the few Ethiopian recordings to have been produced outside Ethiopia in the early 1980s. As such, it is a key document of the Washington DC exile scene. The core members of Admas – Tewodros ‘Teddy’ Aklilu, Henock Temesgen, and Abegasu Shiota – had previously played in a group called Gasha, one of the few Ethiopian bands working regularly in DC during the early 1980s. Admas was born from Gasha, as an outlet for their more experimental instincts. Though they played as a backing group for singers (including Aster Aweke), the music on Sons of Ethiopia was never performed live.

• 1 Anhi Bale Game
• 2 Bhta's Highlife
• 3 Tez Alegn Yetintu
• 4 Kalatashew Waga
• 5 Wed Enate
• 6 Samba Shegitu
• 7 Astwesalehu